Welcome to OliverReed.netA website dedicated to the late, great Oliver Reed.
Burning Both Ends: When Oliver Reed Met Keith Moon
A radio play starring Sean Pertwee as Oliver Reed, and Arthur Darvill as Keith Moon.
Burning Both Ends tells the story of one of the most infamous, unexpected and touching of friendships between two icons of the 1970s, Oliver Reed and Keith Moon.
In the mid-1970s, Oliver was an international movie star, and Keith was a rock n'roll legend, the drummer for rock band, The Who. Both were famous for their partying and boozing, as well as their undeniable talents. Mercurial and unpredictable, both men were at the top of their game - but the top can be a very lonely place.
Then they met, on the film set of The Who's epic rock opera, Tommy. What followed was a revelation - in each other they found a true kindred spirit, their own shadow image.
This is a story of madness and mayhem, antics and adventures, but also of love and loss - the dangerous, dazzling brilliance of two unbridled spirits connecting, but then the huge pain when one of them dies prematurely.
Recounting the electrifying "bruv-affair" between these two iconic figures, Burning Both Ends is the story of two men who found in each other a true friend, and who loved each other as fiercely as they partied. . .
We're always happy to hear from those of you who may have met Oliver, or perhaps have some images or other memorabilia that you would like to share with other fans, or just simply want to express an opinion about his life or career - it's always great to hear from you!
But whatever the message, it's always good to hear from fans of Oliver Reed!
ATTRIBUTION: Oliver Reed (b. 1938), British screen actor. Quoted in Sunday Times (London, December 27, 1987).
A visit to several of the more orthodox practitioners of the art met with flat refusals. The cab driver came to the rescue.
'I know who'll do it,' he said.
'Then take me there, my good fellow,' said Oliver.
The wasted talent of Oliver Reed:
|Devil of an actor|
A Hammer retrospective and close encounter with Oliver Reed:
|INTERVIEW WITH THE WEREWOLF|
Fallen stars, tragic lives and lost careers:
|Oliver Reed: Hyde in Plain Sight|
Loaded magazine interview with Oliver Reed:
|WHAT FRESH LUNACY IS THIS|
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If so, then why not e-mail firstname.lastname@example.org
If so, then why not e-mail email@example.com
At 3. 12am in the Watergate Hotel , Washington DC, on February 16th, 1985, I was awoken from a jet-lagged coma by the shattering of glass, and loud oaths. With racing heart I found the light which revealed an inebriated apparition fixing me with a rheumy and strabismic eye.
"On yer facking feet, McGuigan," it roared, huge hams of fists windmilling. "I'm not Barry McGuigan, Oliver!" I croaked, attempting to bring my voice down to a manly calm. He lunged at me blindly like a bull to a red cape and collided with a table, whereupon he came face to face with his reflection in the mirror.
Immediately he straightened, barked at himself and then saluted: "Reed, Oliver. Corporal 18th field ambulance corps SAH," he shouted as if on parade. Dressed in a rugby shirt and the trousers of an evening suit he sported also satin ballet slippers. There was a vivid gash of blood visible in his scalp.
Then, just as suddenly, he reverted to his pugilist self: "Come on, lady boy, let's be 'avin yer then."
Only one possible conclusion may be reached after reading this book and examining the evidence: that despite his homophobia, Reed was homosexual, or crypto-homosexual, or deutero-homosexual. He was always stripping off in male company and couldn't wait to expose his penis, which was tattooed with the design of an eagle. His kitchen cupboards had handles shaped like penises. His door knocker was a brass cock and balls. In pubs he thought it amusing to indulge in two-men kissing contests and, according to Sellers, was "unable to resist anyone in uniform".
Reed, Richard Burton, Richard Harris, Peter O'Toole, Anthony Hopkins, Robert Shaw - it's a long, drunken list. All of them were encouraged by a history of British acting and British drinking to believe that films were silly, beneath them, a means to a financial end. When Spielberg came calling, Reed refused to go to Hollywood because it would be a "blow to his credibility". It's a uniquely British superiority complex with violent insecurity at its core: you can't be exposed to proper criticism if you never cared much in the first place.
|22 Nov 2014||Encounters: New|
|11 Nov 2014||Encounters: New|
|24 Jun 2014||Feature: Burning Both Ends: When Oliver Reed Met Keith Moon|
|13 Jun 2014||Articles/Interviews: 2013. The Authorised Biography of Oliver Reed by Robert Sellers:
Sadly and crushingly, most important was that he was an alcoholic
|07 Jun 2014||Gallery: Latest Images updated|
|05 May 2014||Guestbook: New|
|02 May 2014||Guestbook: New|
|Anniversary of Death|
|08 Mar 2014||Articles/Interviews: 2013. Oliver Reed: Starring boor with a bottle|
|20 Feb 2014||Guestbook: Updated|
|13 Feb 2014||OliverReed.net launched 10 years ago today, 13th Feb 2004|